I am a cultural anthropologist focusing on contemporary Japan, with interest in ideals and experiences of family lives, constructions of intimacy, and legal anthropology. My book, Intimate Disconnections: Divorce and the Romance of Independence in Contemporary Japan, considers how people negotiate freedom, happiness, and connections through divorce. It will be published by the University of Chicago Press in spring 2020. I'm thrilled that it will also be available through Open Access, with subvention funds from the TOME program.
I am currently writing a new book, Family Law in a Family Nation: Custody Disputes and Parental Activism in Contemporary Japan. This book explores how conflicts between family members - such as custody disputes, parental abductions, and more - are handled in the court system and also by individual people if the courts provide insufficient resolution. Locating family law exceptionalism in a specific cultural context, I argue that the centrality of “family” as an organizing symbol for the Japanese nation, and the ensuing legal system that privileges families as unimpeachably private space, creates fundamental lacunae for people seeking assistance in family disputes.
With Emma Cook, I recently co-edited Intimate Japan: Ethnographies of Closeness and Conflict. We are very happy the volume was chosen by Knowledge Unlatched to be published through open access and the full book is available online. With Richard Ronald, I co-edited Home and Family in Japan: Continuity and Transformation.
I am an assistant professor in the Department of Asian Languages and Cultures and Department of Women’s Studies at the University of Michigan. I serve as the Director of Undergraduate Studies at the Center for Japanese Studies, and welcome applications to join the Undergraduate Advisory Board.
I am the series editor for a new book series, Asia Pop! from the University of Hawai’i Press. The first books in the series were released in 2019: Daisy Yan Du's Animated Encounters: Transnational Movements of Chinese Animation, 1940s–1970s, and Pop Empires: Transnatonal and Diasporic Flows of India and Korea, edited by S. Heijin Lee, Monika Mehta, and Robert Ji-Song Ku, and Teri Silvio's Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan. Please feel free to contact me if you have any questions about the series or would like to submit a proposal.